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How to Practice Playing Your Music Until You Can't Get It Wrong

 carnatic music classes
carnatic music classes


You learn how to play music and different instruments and practice until you achieve perfection in it. You want your songs to be great every time you play them. There are times when you have learned a piece of music and performed well when you are alone while facing the audience. However, you somehow forget the piece, and it falls apart. This leaves you demotivated, and it seems like you have not learned your piece properly. Perfecting a piece of music requires a lot of effort and attention. You, therefore, need to know certain tips and tricks to make the process more interesting and efficient.

Tips on how to practice playing your music until you can't get it wrong

A beginner learns the piece until he perfects it, and a professional learn it until he can't get it wrong.

  • Play the piece at half speed. This feels extremely sluggish and will be troublesome. It dials back your movements so much that you can never again depend on energy and muscle memory; you need to rely upon your ear and theoretical comprehension of the piece. When you can play the whole tune at half speed, increment the rhythm ten ticks all at once until you show up at the exhibition beat. Even better, work up to a speed that is a piece past execution rhythm to be ready for anything. A variety of this approach takes a troublesome segment and plays it twice at half speed and once at max throttle. The max throttle runs may not be completely perfect from the beginning, yet rotating them with sluggish and conscious reiterations will build up the right motions.

  • Play the entire piece uproariously, then delicately, and afterward someplace in the middle. This works on your control of volume. Then, recognize different unique levels in your piece. Play the sections out of order, beginning with the quietest area and finishing with the most intense. Play it again and check whether you can make the tranquil areas considerably more sensitive and the loud parts much more grounded.

  • At last, play the piece in good shape, and overstate the distinctions in dynamics however much you can. As entertainers, we regularly need to feel like we exaggerate dynamics for the audience members to see the distinction. This is particularly evident on the guitar, a tranquil and subtle instrument.

  • Pick a spot that often emerges underneath your performance ideals. Perhaps it is a position shift, a high note that is hard to show up at neatly, or an awkward chord change. Disengage two notes or chords and roll out the improvement between them completely smooth. Then, at that point, back dependent upon one note or chord previously, and keep on including one note later. Add notes or chords two at a time (one preceding and one later) until you can play the whole expression neatly.

  • Play the piece each or two bars in turn, from memory, with a couple of beats resting in the middle of each action. During the rest, loosen up your hands to ensure that you don't develop strain. You'llYou'll find it very awkward from the beginning; however, that implies it is a helpful activity. This training can truly save you from assuming that you have a memory slip during the performance. Rather than stalling out in a practicing circle since you've failed to remember what comes straightaway, you can jump to the following measure and proceed. Assuming you're fortunate, your audience members will not take note!

  • De-tune your guitar - make a few strings extremely sharp, others exceptionally flat - and play your piece. It will sound ludicrously dreadful! However, it will drive you to depend on your muscle memory without the guidance of your ear. Frequently, the testing parts come out alright because we've needed to chip away at them more and they are all the more profoundly imbued in our muscle memory. It's in the simpler parts where we will often depend on aural memory where we get lost. This exercise will show you which parts need additional consideration from your muscle memory.

  • Change the rhythm of a section. For instance, play a section of eighth notes with a swing feel (long-short), or transform three trios into a one-eighth note in addition to two sixteenth notes. A minor departure from this is to change the accents. Typically when we play in 4/4 time, the solid beats are 1 and 3. Take a stab at emphasizing beats 2 and 4. Assuming your piece is in 3/4, take a shot at highlighting beats 2 and 3 rather than beat 1. Or then again, take a stab at highlighting just beat one of every other measure. Adjusting a melodic idea guarantees that you have an intensive handle on it.

  • Recognize portions of the piece where you are playing various voices. Play simply the bass line while you sing the song. Then, at that point, play the song while you sing the bass line. If there are center voices, take a stab at singing them. Keep the first left-hand fingering; however, play just a single voice with your right hand.

  • Practicing sections, again and again, isn't the most interesting piece of being an artist. You can make this interaction somewhat seriously fulfilling and implement that you stay consistent with your practice objectives by addressing your reiterations outwardly. Use any small item that fits on your music stand; you can also work with coins. Line seven coins up on one side of the stand, and each time you prevail at playing the section impeccably, move a coin to the right side. When each of the seven coins has been moved to the opposite side, you're prepared to continue. The subsequent stage is to play a similar entry multiple times in succession impeccably. In this variety, assuming you commit an error once, you need to begin the entire series again - that is, every one of the coins returns to the left side.


Whenever you get to perform - whether it's of any kind- appreciate it. Your careful planning has previously paid off, and you've developed as an artist. Continuously aim towards perfection; however, figure out how to be content with a specific, dynamic, sincere performance. With the best music classes in Bangalore, Mela Music School offers students one-to-one private lessons. In addition, they provide online music classes for kids and adults in Bangalore using Skype and Google Meet. Their intuitive redid music classes will help you arrive at your objectives from the solace of your home or, if you prefer, locally at their music school in Bangalore. You can take music lessons from western vocal classes, and Carnatic music classes to Hindustani vocals. Take the best music classes in Bangalore from MelaMusicSchool anytime, anywhere!


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